乡村戏剧的文本叙事美学特征——以贵州开阳阳戏《川主戏全本》为例  

The Aesthetic Features of Text Narration in Rural Drama——A study of Full Collection of Arethusa Drama,Yang Drama in Kaiyang of Guizhou

作　　者：彭福荣[1] 王季 PENG Fu-rong;WANG Ji(Research Center of Wujiang River Basin Socio-Economy and Culture at Yangtze University,408100)

机构地区：[1]长江师范学院乌江流域社会经济文化研究中心,重庆涪陵408100

出　　处：《教育文化论坛》2018年第1期120-125,共6页Tribune of Education Culture

基　　金：国家社科基金项目"乌江流域历代土司的国家认同研究"(10XMZ013);教育部人文社会科学研究规划项目"族群互动与乌江流域乡村戏剧研究"(16YJAZH077)

摘　　要：阳戏是我国流传历史悠久、文化底蕴深厚的乡村戏剧之一,阳戏文本是其有机组成部分,具有淳朴浓烈的情感体验、简而有法的体制结构和喜庆风趣的审美风格等特征。田野获取《川主戏全本》个案和现有研究成果表明,阳戏文本隐藏着鲜明的文学美学特征,是探讨阳戏审美价值的重要方面。Yang Drama is one of our country’s rural dramas with a long history and profound cultural heritage.Its has integral component texts with features of unsophisticated and strong emotional experience,simple and methodical institutional structure and a jubilant aesthetic style.The Full Collection of Arethusa Drama acquired from field investigation and the existing literature show that the text of Yang Drama ensconces distinctive features of literary aesthetics,providing an important aspect of studying this kind of drama.

关 键 词：阳戏 《川主戏全本》 文本特征 情感体验 

分 类 号：J825[艺术—戏剧戏曲]