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作 者:冯智明[1] 甘金凤 FENG Zhiming;GAN Jinfeng(Department of liberal arts,Guangxi Normal University,Guilin Guangxi,541004;Guangxi Guigang Jiangnan Shiyan Middle School,Guigang Guangxi,537100,China)
机构地区:[1]广西师范大学文学院,广西桂林541004 [2]广西贵港市江南实验中学,广西贵港537100
出 处:《百色学院学报》2018年第1期51-56,共6页JOURNAL OF BAISE UNIVERSITY
基 金:国家社科基金青年项目"南岭走廊瑶族传统社区文化环境的保护与发展研究"(13CMZ035)
摘 要:由于具有程式化、情境性、神圣性、非日常的"反结构"性等特征,与舞蹈、音乐、说唱等民间文艺相伴生的关系,以及与现代权力空间的纠结,仪式往往被视为一种"文化展演"。恭城瑶族盘王节的核心仪式还盘王愿在遗产化节庆语境下呈现出双重展演形态,在祠堂、舞台两个空间的展演与场域转换中获得了全新的生存空间,实现活态传承和延续,并促进了村落整体文化生态、文化环境的恢复与重构。With its features like stylized,the nature of situation,the nature of holiness,and the nature of nonroutine"anti-structural",ceremony is usually concerned as a kind of“cultural performance”,because it has an ac?companied relation with folk arts like dancing,music and an entangled relation with modern power space.The core ceremony of Yao Nationality Panwang Festival in Gongcheng County,fulfilling Panwang’s vow,shows a shape of double performance in the context of heritage festival.It receives a new living space during the performance on the ancestral hall and the stage,and the space conversion in between.Besides,it realizes the inheritance and continua?tion of the living state,it also promotes the restoration and reconstruction of the overall cultural ecology and cultural environment of the village.
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