杨骚的诗歌思想与文化特征研究  

A Study on the Poetic Thoughts and Cultural Characteristics in YANG Sao’s Poetry

作　　者：沈玲[1] 陈育贤 陈晨 SHEN Ling;CHEN Yuxian;CHEN Chen(School of Humanities and Joumalism^Xiamen University Tan KahKee College,Zhangzhou 363105 China;Deparment of Chinese,Xiamen University,Xiamen 361005 China)

机构地区：[1]厦门大学嘉庚学院文传学院,中国漳州363105 [2]厦门大学中文系,中国厦门361005

出　　处：《国际汉语学报》2017年第2期319-326,共8页International Journal of Chinese Studies

基　　金：2017年福建省漳州市哲学社会科学研究规划课题“杨骚的诗歌思想与文化特征研究”(编号72)的阶段性成果

摘　　要：杨骚是在20年代后期30年代末期的中国诗坛上非常活跃的一位诗人,但因其英年早逝和长期漂泊海外,所以国内学界对其文学创作长期关注不够。诗歌研究方面比较侧重于其30年代中国诗歌会活动期间的创作成就研究,而在其诗作对中国传统文化的承继、早期诗歌特色等方面的研究却明显不足,本文即以《杨骚选集》为本,通过对其诗作中传统诗歌意象云、月的分析,探讨诗人的创作思想,挖掘诗人的家园意识、孤独意识和生命意识,以了解诗人诗作所体现出来的中国传统文化特征。Although YANG Sao was one of the most active poet from the late of 1920s to 1930s in China,but he never have been the research focus of academic circles for his untimely death and living abroad for a long time.Meanwhile,he was studied enough on his works in China'poetry slam activities during 1930s,and was payed any attention to the characteristic of Chinese traditional culture in his early poems.Based on the selections of YANG Sao's poems,this paper tries to analyze the traditional image such as“cloud”&“moon”in his poems,to discuss the poefs thought,to investigate the sense of his homesickness&loneliness,so we could understand the characteristics of Chinese traditional culture in his poetry.

关 键 词：杨骚 诗歌 文化特征 

分 类 号：I207.22[文学—中国文学]