“纵横”模式在杜甫晚年诗歌中的运用  

The Application of “Vertical and Horizontal” Mode in Du Fu's Poetry in His Later Years

作　　者：庄亮亮 Zhuang Liangliang(College of Literature,Guizhou Normal University,Guiyang,Guizhou 550002,China)

机构地区：[1]贵州师范大学文学院,贵州贵阳550002

出　　处：《保定学院学报》2018年第2期82-86,共5页Journal of Baoding University

摘　　要：杜诗"沉郁顿挫"诗风的形成与其沉浮的一生有莫大的关系,不过到中年才始见端倪,成熟于晚年。中外诸家都在考其"沉郁"的内容和"顿挫"的诗歌形式表现,却忽视了杜甫晚年诗歌中的"纵横"之气的展现形式。杜诗所展现的是"悲壮"的空间和时间的纵横交错感,也正是这种"纵横交错"之感成就了杜甫诗歌的悲壮。考其具体源流和诗歌表现以及所营造出来的诗风都将成为思辨的内容,而这都要落脚到杜甫晚年诗歌"纵横"模式的运用。The formation of Du Fu’s poem style of“Depressed and Pause and Transition”is the result of ups and downs in his life,but it’s only to be seen in his middle age,matured in his old age.Both Chinese and foreign scholars study his“gloomy”content and“pause,frustration”poetry forms,but ignore his poetry in the aspect of“gas”.What Du really want to express is the“tragic”space and the time is arranged in a crisscross pattern,it is the sense of achievement of crisscross pattern that leads to his tragedy.The content of critical thinking is made up by his poetry and the unique style,all these are contributed to Du’s application of“Vertical and Horizontal”mode in his later years.

关 键 词：杜甫 晚期杜诗 诗律细 “纵横”模式 造境 

分 类 号：I206.2[文学—中国文学]