柳永歌妓词传情达意的艺术特点简析  

Liuyong: A Brief Analysis of the Artistic Characteristics of the Emotion of the Word of the Go-whore

作　　者：郑雅匀[1] Zheng-yayun(Nantong Teachers College,Nantong,Jiangsu 226001)

机构地区：[1]南通师范高等专科学校,江苏南通226001

出　　处：《和田师范专科学校学报》2018年第1期110-114,109,共6页Journal of Hotan Normal College

基　　金：江苏高校品牌专业建设工程资助项目(PPZY2015C249)阶段性成果

摘　　要：宋代是以词这种文学体式大行于天下的时代。涌现出无数的优秀词人及作品。流派众多,又以豪放、婉约两派最为后人熟知。柳永被公认为北宋婉约派的代表,其词作众多,影响深远。尤其在其流离失所,孤独失意的个人境遇中相遇歌妓,走近歌妓,吟咏歌妓的词作,使得美丽歌女在风流多情的浪子文人笔下成就了不舞之鹤。The Song Dynasty was an era in which the literary style of the word was used in the world.There are countless excellent lyricists and works.There are many genres,but they are also known to the later generations for their bold and liberal style and graceful style.Liuyong is widely recognized as a representative of the Wanyue School of the Northern Song Dynasty,whose works are numerous and far-reaching.Especially in its displaced,lonely and frustrated personal circumstances met the courtesan,approached the courtesan,singing the courtesan's words,so that the beautiful courtesan in the romantic prodigal man of letters under the pen made the crane.

关 键 词：柳永 婉约词 歌妓词 艺术风范 

分 类 号：I106[文学—世界文学]