李渔戏曲理论中的大众情怀  

On the Public Sentiment of Li Yu's Dramatic Theory

作　　者：张啸[1] ZHANG Xiao(College of Chinese Language and Literature,Guangxi University for Nationalities,Nanning 530006,China)

机构地区：[1]广西民族大学文学院,广西南宁530006

出　　处：《广西师范学院学报（哲学社会科学版）》2018年第2期34-37,85,共5页Journal of Guangxi Teachers Education University：Philosophy and Social Sciences Edition

基　　金：2017年国家社科基金项目(17BZW109)

摘　　要：李渔的戏曲理论一直为人所关注,但从观众接受角度出发,探讨李渔戏曲理论中的大众情怀,还是少数。从戏曲创作的立足点、语言、功用等方面挖掘其戏曲理论中的大众情怀,并进一步探讨其立足大众的原因及影响具有重要的意义。Li Yu’s dramatic theory has always been concerned by scholars.But there are few to make research on the public sentiment of Li Yu’s dramatic theory from the perspective of reader’s acceptance.This paper tries to dig up the public sentiment of his dramatic theory from the standpoint of his dramatic creation,language,and function,and further discuss the reasons why he can keep a foothold on the public as well as the significance that he influences the public.

关 键 词：李渔 闲情偶寄 大众情怀 接受理论 

分 类 号：I207.3[文学—中国文学]