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作 者:蒋鹏举[1] 樊月 JIANG Pengju;FAN Yue(School of Chinese Language and Literature,Shaanxi Normal University,Xi'An Shaanxi 710119,China)
出 处:《上饶师范学院学报》2018年第1期40-45,共6页Journal of Shangrao Normal University
摘 要:在词史上,辛弃疾词历来以豪放而引人瞩目,他的亲情诗词因题材的特殊性,更多体现出婉约之风。这种因题材而风格趋异的情况,学界鲜有关注。辛弃疾的亲情诗词,不避琐细,不掩浓烈和感伤,更多体现了细腻柔婉的风格。亲情诗词还蕴含着深邃的人性光辉:长于吐露真实思想,体现主体精神的向心力。在诫勉子侄弟子的诗词中,也充分体现了辛弃疾在世俗取向与人格坚持上的矛盾心态,这种矛盾是文化传统上仕与隐的纠结。这种纠结,在豪放词中远不如在亲情诗词中表现充分。当然,辛弃疾的亲情诗词与其豪放风格非但不矛盾,实则一脉相承:没有亲情,爱国之情则空虚无落足点,豪放词是亲情词审美境界的升华,具有着珍贵的时代特质和难得的家国传统。In the history of Ci poetry,XIN Qiji is famous for his powerful and free Ci-writing.However,because of the particularity of the theme,his poems of family affection reflect a more graceful and restrained style.There is little concern in the academic circles on the different styles due to different themes.XIN Qiji’s poems weave trivial details and strong emotions into his graceful and restrained style.Besides,his poems also contain the profound brilliance of human nature,express the true thought of the subject,and embody the centripetal force of the subject spirit.In his poems of admonishing family members and students,XIN’s ambivalence between secular values and personality observation is fully reflected.The ambivalence is whether to be an official or not in terms of cultural tradition and this kind of ambivalence is less reflected in his poems of powerful and free style.The two different styles won’t contradict each other,but actually they are of the same origin:without affection,the patriotism is empty;the poems of powerful and free style is the sublimation in aesthetic realm of those of family affection.They both have the the precious characteristics of the times and the rare patriotic tradition.
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