乌兰杰蒙古族音乐研究“三阶段”  

Study of "Mongolian music Wulanjie three stage"

作　　者：郭晶晶[1] Guo Jingjing(Inner Mongolia Academy of Social Sciences,Hohhot,Inner Mongolia,010010)

机构地区：[1]内蒙古社会科学院,内蒙古呼和浩特010010

出　　处：《内蒙古艺术学院学报》2018年第1期23-28,共6页Journal of Inner Mongolia Arts University

基　　金：教育部人文社会科学重点研究基地重大项目"蒙古族传统音乐的保护与传承研究"(项目编号:13JJD760001)阶段性研究成果

摘　　要：中国境内蒙古族音乐的研究开始于20世纪初,至今已走过一百年的历程。从研究内容来看,起初主要是围绕着蒙古族音乐的资料搜集整理加以展开的,而后逐渐开始了蒙古族音乐理论的研究。到了21世纪近十几年,又进入了多元发展阶段。回顾蒙古族音乐研究的百年历程,乌兰杰先生对蒙古族音乐研究的很多成果都具有重要的开创性意义,同时也为蒙古族音乐研究奠定了坚实的基础。本文主要围绕乌兰杰先生蒙古族音乐研究三个阶段的研究专著进行梳理,旨在对乌兰杰先生蒙古族音乐研究作进一步总结。The study of Mongolian music in China began in the early twentieth Century,and has gone through the course of one hundred years.From the point of view of research content,it began mainly with the collection and collation of Mongolian music,and gradually began the study of Mongolian music theory.In the twenty-first Century,it has entered multiple stages of development in recent ten years.In retrospect of the history of Mongolian music research,Mr.Wulanjie has an important pioneering significance for many achievements in the study of Mongolian music.At the same time,it also laid a solid foundation for the study of Mongolian music.This article is mainly focused on the three stages of monographs research on Mongol music,which aims to further summarize Mr.Wulanjie's research on Mongolian music.

关 键 词：乌兰杰 蒙古族音乐研究 三阶段 

分 类 号：J60[艺术—音乐]