中国现当代乡土小说的时空关系研究——以巴赫金时空体理论为中心的考察  

Study on the Relationship of Time-Space in Local Colour Novels:Based on Bakhtin's Chronotope Theory

作　　者：张仁竞[1,2] ZHANG Renjing(School of Literature Journalism and Communication,Minzu University of China,Beijing 100081,China;;Department of Chinese,Xinzhou Teachers College,Xinzhou,Shanxi 034000,China))

机构地区：[1]中央民族大学文传学院,北京100081 [2]忻州师范学院中文系,忻州山西034000

出　　处：《岭南师范学院学报》2018年第2期88-96,共9页Journal of Lingnan Normal University

摘　　要：20世纪中国乡土小说有四种时空体类型最具代表性,它们分别是以鲁迅作品为代表的故乡时空体,以沈从文作品为代表的湘西时空体,以赵树理作品为代表的解放区时空体,以莫言作品为代表的高密时空体。时间在时空体中起着至关重要的作用,从鲁迅的现实生活时间与历史时间的对话,到沈从文的循环时间,再到赵树理的民间时间,最后到莫言的绵延时间,时间无一例外都是作品的主导。乡土时间的凝滞导致的焦虑、无助,使他们的小说有一种悲观的宿命色彩,也有一种企图把握时间的挫折感和面对时间的迷茫感。There are four types of most representative local colour novels.They are the hometown chronotope represented by Lu Xun's works,Xiangxi chronotope represented by Shen Congwen's works,Jiefangqu chronotope represented by Zhao Shuli's works and Gaomi chronotope represented by Mo Yan’s works.Time in space-time plays the vital role in Lu Xun's real life time and historical dialogue,in Shen Congwen's cycle time,in Zhao Shuli's civil time,and in Mo Yan’s duration.The stagnation of the time in local colour novels causes the anxiety and helplessness,expressing the pessimistic mood of fatalism and the feelings of lost and set-back.

关 键 词：乡土小说 时空关系 巴赫金 时空体理论 

分 类 号：I207.42[文学—中国文学]