“先锋”:陌生化的审美生成——接受修辞学视角的马原小说分析  

“Vanguard”: Aesthetic Generation of Defamiliarization——An Analysis of Ma Yuan's Novel from the Perspective of Receptive Rhetoric

作　　者：肖莉[1] 刘婷东 Xiao Li;Liu Tingdong(Cultural Transmission College of Dalian University of Foreign Languages,Dalian 116044,China;Jiaozuo Municipal Party Committee,Jiaozuo 454150,China)

机构地区：[1]大连外国语大学文化传播学院 [2]焦作市市委

出　　处：《北华大学学报（社会科学版）》2018年第2期132-140,共9页Journal of Beihua University(Social Sciences)

基　　金：教育部社科基金项目"语言变革与汉语小说的现代生成"(15YJC751003)的阶段性研究成果

摘　　要：先锋文学研究焦点由传统小说的"写什么"转变为"怎么写",生成了小说新的审美维度,也对读者的既有审美惯性造成了巨大冲击,甚至导致读者的缺席。文章运用接受修辞学的相关理论,研究马原小说的接受语境与"元小说"语言的生成;"元叙述"的潜在接受者;接受者心理对先锋文学形成的影响,关注并考察先锋文学陌生化审美的生成。The focus of the research on vanguard literature has changed from“what to write”which is the traditional novels’focus to“how to write”.It not only produces a new aesthetic dimension of the novel,but also has a great impact on the readers’existing aesthetic inertia,and even led to the absence of readers.This thesis uses the correlative theories of receptive rhetoric to study the acceptance context of Ma Yuan’s novel;the language generation of“meta fiction”;the potential recipients of“meta narratives”;and the influence of recipient’s psychology on the formation of vanguard literature;It also concerns and investigates the formation of defamiliarization aesthetics of vanguard literature.

关 键 词：接受修辞学 先锋文学 马原小说 语言变异 陌生化 审美生成 

分 类 号：I207.67[文学—中国文学] H15[语言文字—汉语]