拒绝消费至上的文学语言建构——析王文兴意识流小说《背海的人》  

Construction of Literary Language that Rejects Consumerism——Analysis of Wang Wenxing's Novel “the Man Behind the Sea”

作　　者：杨增宏 陈英 Yang Zenghong;Chen Ying(College of Chinese Language and Literature,Hefei Normal University,Hefei 230061,China;Department of English Teaching,Hefei Normal University,Hefei 230061,China)

机构地区：[1]合肥师范学院文学院 [2]合肥师范学院大学英语教学部

出　　处：《北华大学学报（社会科学版）》2018年第2期141-146,共6页Journal of Beihua University(Social Sciences)

基　　金：国家社会科学基金项目"汉语意识流小说的语言学研究"(13BYY127)的阶段性研究成果

摘　　要：科学技术主义哲学思潮盛行的当下,物质消费主导人们的思维方式,如何拒绝文学过度消费并保持其特质,承担文学使命的创作者始终进行着探索。被誉为"世界最长的意识流的独白"的台湾现代主义作品《背海的人》开展了此种背景下的文学语言建构实验,强调能指的自指功能中建构"慢读"式情感体验、剪断语言的线性组合中彰显"断裂""碎片化"形象、寻求象似性中同构语言与精神、世界的关系。这种极端私语化的语言建构实验展示了在市场消费主导下的文学在精神世界与物质世界中存在的窘境及悖论,但也隐喻了消费至上的资本社会中,语言某种意义上是拒绝文学过度消费的最后家园。The prevailing trend of philosophy of science and technology is that material consumption dominates people’s way of thinking.It is the mission for literary creators to explore how to reject the excessive consumption of literature and maintain its characteristics.The work of Taiwan modernist“the Man Behind the Sea”,known as the world’s longest monologue of the stream of consciousness,carried out a literary language construction experiment under this background,which emphasizes the construction of“low reading”emotional experience in the self reference function of the signifier,and highlights the“broken”and“fragmented”images in the linear combination of the language,and seeks the relationship between the isomorphism language in the iconicity and the spirit as well as the world.This extreme private language construction experiment shows the dilemma and paradox of literature in the spiritual and material worlds dominated by market consumption.But it is also a metaphor for the capital society of consumerism and language,in a sense,is the last home for refusing excessive consumption of literature.

关 键 词：意识流 《背海的人》 自指功能 语象 象似性 

分 类 号：I207.67[文学—中国文学] H15[语言文字—汉语]