梅山音乐文化研究的现状与反思  

Current Achievements in the Study of the Music Culture in Meishan: A Review with Criticism

作　　者：赵书峰[1] ZHAO Shufeng

机构地区：[1]河北师范大学音乐学院

出　　处：《星海音乐学院学报》2018年第2期65-74,共10页Journal of Xinghai Conservatory of Music

基　　金：2015年国家社科基金艺术学一般项目"瑶族婚俗仪式音乐的跨界比较研究--以中;老瑶族为考察个案"(15BD044)

摘　　要：当下的梅山音乐文化研究缺乏新视角、新材料、新理论、新方法,尤其梅山民歌、小调的研究基本是以音乐形态分析为主,对其音乐生成语境缺少深入的跨学科研究;其次,梅山音乐文化研究只关注到田野在场文本的描述与分析,缺少对其历史与田野互动关系的考察;第三,梅山教仪式音乐的跨区域与跨族群传播问题值得深入研究;第四,梅山音乐文化的研究多集中于"核心圈"内的传统音乐个案考察,缺少对"辐射圈""区域圈""余波圈"内梅山音乐文化的区域性与跨区域性的宏观比较,尤其以民间道教为核心的梅山文化在西南族群中的传播与涵化研究基本空白。另外,亟待加强梅山音乐文化的"再研究"(或"重新研究")。The current study of Meishan music culture is lack of new perspectives,material,theory and method,especially in Meishan xiaodiao(folk song)study,which is only basic on music morphological analysis,and lack of in-depth interdisciplinary research context on music generated;Secondly,culture research focuses on the description and analysis of the fieldwork text,and lacks the investigation of its history and field interaction.Thirdly,the trans-regional and inter-ethnic communication problems of music in Meishan are worthy of further study.Fourth,research focused on the“inner circle”of the case study of traditional music,lack of regional and cross regional macro comparative study about“radiation circle”,“circle area”,and“aftermath circle”,especially lack of study on folk Taoism as the core of Meishan culture communication and acculturation in the southwestern ethnic of China.In addition,the“restudy”of Meishan music culture is urgently needed to reinforce.

关 键 词：梅山音乐文化 梅山教 研究现状 回顾 反思 

分 类 号：J607[艺术—音乐]