互文空间中的死亡隐喻--论《罗森格兰兹和吉尔登斯特恩已死》的意义重构  

Death Metaphor in Intertextual Space——The Meaning Re-construction in Rosencrantz and Guildenstern Are Dead

作　　者：肖辰罡 王育平[1] XIAO Chengang(School of Foreign Studies,Nanjing University of Science and Technology,Nanjing,Jiangsu,210094)

机构地区：[1]南京理工大学外国语学院,江苏南京210094

出　　处：《南京理工大学学报（社会科学版）》2018年第2期65-68,84,共5页Journal of Nanjing University of Science and Technology：Social Sciences

摘　　要：汤姆·斯托帕德的戏剧《罗森格兰兹和吉尔登斯特恩已死》,通过文本空间的互动,解构了文本与世界、戏剧与真实、死与生的二元对立,在"元戏剧"层面重构了世界的意义,实现了对莎士比亚经典和传统荒诞派戏剧的颠覆和超越。Rosencrantz and Guildenstern Are Dead written by Tom Stoppard deconstructs the binary opposition of text and world,drama and reality,death and life through the interaction of text space.It also deconstructs the world of meaning at the meta-drama level,and achieves subversion and transcendence to both Shakespearian classics and traditional Theater of the Absurd.

关 键 词：戏剧 空间 死与生 超越 

分 类 号：I106[文学—世界文学]