ECFA时代两岸合拍片中的跨域空间与文化身份认同  

Cross-regional Space and Cultural Identity in Cross-strait Movie Co-productions under ECFA

作　　者：马立[1] MA Li(School of Communication,Fujian Normal University,Fujian 350117,China)

机构地区：[1]福建师范大学传播学院,福建福州350117

出　　处：《泉州师范学院学报》2018年第1期94-97,108,共5页Journal of Quanzhou Normal University

基　　金：福建省中青年教师教育科研项目(JAS170119)

摘　　要：在全球化背景下,两岸电影产业的进一步融合是"华语电影"发展的必然路径,然而,这一融合不仅在于技术、资本与产业的互动,还意味着一种文化身份的认同。通过对两岸合拍片中不同地域空间、影像空间的考察,在或隐或现的表达中,试图厘清合拍片中文化身份与主体认同的归属。同时,进一步分析在跨域空间的转换中,台湾地域文化与中华文化之间的关系互涉。Under the background of globalization,the integration of industries is the key to develop the Chinese films.Such intergration lies not only in the interaction in technology and capital,but also a kind of cultural identity.Based on the analysis of geographical space and image space,and the phenomenon of expressing cultural identity in the cross strait film co-productions,this article attempts to figure out how to adapt the culture of Taiwan to the Globalization of Marketing and Production,and its interactions between the Chinese culture and the local culture of Taiwan.

关 键 词：两岸合拍 都市空间 在地空间 文化认同 

分 类 号：G115[文化科学]