论《金瓶梅》的喜剧情节  

On the Comic Nature of The Golden Lotus

作　　者：付善明 FU Shan-ming(School of Chinese Language and Culture,Tianjin University of Technology,Tianjin 300384,China)

机构地区：[1]天津理工大学汉语言文化学院,天津300384

出　　处：《石家庄学院学报》2018年第4期67-72,90,共7页Journal of Shijiazhuang University

基　　金：天津市哲学社会科学规划资助项目"中国古代小说韵文研究"(TJZW13-006);天津市哲学社会科学规划资助项目"中国古代小说的当代重构研究"(TJZW17-004)

摘　　要：喜剧是一种笑的艺术,兰陵笑笑生以自己"笑"的智慧撰写了一部关于"笑"的书。《金瓶梅》中的喜剧性情节主要有闹剧式喜剧情节、讽刺性喜剧情节、幽默性喜剧情节。《金瓶梅》的闹剧式喜剧情节和宋元杂剧一脉相通;讽刺性喜剧情节主要有戏弄、对比、夸张等形式;幽默性喜剧情节以机智、含蓄和意味深长见长。《金瓶梅》的喜剧情节讽时骂世,寄寓了作者的感情和深意。Comedy is a kind of art of laughter.Lanling Xiaoxiaosheng writes a book about laughter with his wisdom of laughter.The comedy plot in The Golden Lotus mainly includes the farce-type comedy plot,the satirical comedy plot and the humorous comedy plot.The farce-type comedy plots of The Golden Lotus are closely connected with the Song and Yuan drama.The satirical comedy plots are mainly in the form of teasing,contrast,exaggeration,etc.The humorous comedy plots are witty,implicit and meaningful.These plots criticized the world at that time,embodies the author's feelings and profound meaning.

关 键 词：《金瓶梅》 喜剧性 闹剧式喜剧情节 讽刺性喜剧情节 幽默性喜剧情节 

分 类 号：I207.41[文学—中国文学]