“倾斜”的空间与矛盾的启蒙——再论新时期初期的湖南乡土文学创作  

The “Inclined” Space and Enlightenment of Contradiction:On Local Literature of Hunan in the Early Period of the New Period

作　　者：江涛 JIANG Tao(School of Literature,Shantou University,Shantou 515063,China)

机构地区：[1]汕头大学文学院,广东汕头515063

出　　处：《浙江师范大学学报（社会科学版）》2018年第4期99-107,共9页Journal of Zhejiang Normal University(Social Sciences)

基　　金：教育部人文社会科学青年基金项目"新时期回乡知青叙事研究"(16YJC751042);国家社会科学基金重大招标项目"世界性与本土性交汇:莫言文学道路与中国文学的变革研究"(13&ZD122)

摘　　要：潇湘大地是"茶子花流派"(1)的故乡,也是他们文学书写的空间对象,更构成了他们的精神原乡,发挥着"时空体"的作用。在"茶子花流派"的集体无意识中,"空间意识"较之于文化遗传更为隐蔽。文本中对空间内部的景象风物、世俗人情、语言文化的描写,不仅确立了其迥异于其它地域写作的叙事与美学风格,而且所流露出来的情感和文化倾向,折射出了一种"倾斜"的空间意识,又与20世纪80年代集体性的"新启蒙"思潮相悖,体现出了作家们矛盾的启蒙立场。Hunan is the hometown of“Chazihua Literary Genre”,and it is also the object of their literary writing,constituting their spiritual hometown and playing the role of“space and time”.In their collective unconsciousness,“space consciousness”is more concealed than cultural inheritance.The description of the scene,the secular situation and the language and culture in the space not only establishes its narrative and aesthetic style,which is different from other regions,but also reflects the emotional and cultural tendency,reflecting an“inclined”space consciousness that goes against the“new enlightenment”of the collective in the 1980s.The conflicting trend reflects the writers’contradictory enlightenment position.

关 键 词：湖南乡土文学 空间意识 传统与现代 矛盾的启蒙 

分 类 号：I207.4[文学—中国文学]