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作 者:刘明欢 马建武 杨倩 LIU Minghuan;MA Jianwu;YANG qian(Gold Mantis School of Architecture,Soochow University,Suzhou 215123)
机构地区:[1]苏州大学金螳螂建筑学院,江苏苏州215123
出 处:《福建建筑》2018年第7期65-69,共5页Fujian Architecture & Construction
摘 要:作为我国古典园林艺术的核心要素之一,掇山叠石从园林营造的一开始就体现着古人的生态智慧。文章以《园冶》等造园艺术理论为依据,从掇山选材,布局营造,山与理水、建筑、植物的交融等几个角度,探讨了其中表达高度协调的"天人合一"生态意识与理念,其实,掇山叠石技法仅是我国博大精深园林艺术中朴素生太观点的一部分,园林设计工作者应结合时代内涵要求不断创新,让根植于中华大地文化土壤的园林之花再次发光彩。As one of the core elements of classical garden art,from the beginning to create a garden,the pilings of rockeries reflects the ecological wisdom of the ancients.Based on gardening art theory like Yuan Ye,the material from heaping rockery to lay out and construct,as well as the blending of rockery arts water arts,construction and plants have been made a thorough inquiry,which contains highly coordination between artificial architecture and the nature In fact,the pilings of rockeries is just part of the simple view of the extensive and profoud garden art in China.As a garden designer,we should continue to innovate in light of the requirements of the times,and let the essence of garden that are rooted in the soil of Chinese culture shine again.
分 类 号:TU986.1[建筑科学—城市规划与设计]
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