论清初毗陵词人黄永《溪南词》长调中的“稼轩风”  

A Study on “Jiaxuan Style” in the Long Tune of “Xi'nan Ci”

作　　者：张英 ZHANG Ying(School of Humanities and Social Science,Jiangsu University of Technology,Chanzhou 213001,China)

机构地区：[1]江苏理工学院人文社科学院,江苏常州213001

出　　处：《江苏理工学院学报》2018年第3期23-29,共7页Journal of Jiangsu University of Technology

基　　金：江苏理工学院社科基金项目"清初毗陵词人群体研究"(KYY15528)

摘　　要：黄永是清初毗陵词人群中的一位重要词人。其《溪南词》长调大多作于中年放废之后,不仅存留数量较多,且具有明显的向稼轩词学习的痕迹:在内容上,多表现壮志销磨的愤懑,以悲慨豪放为主要风格;同时,又写有许多农村词,并在词中表现出諧谑的一面;在写法上,大量用散文句法字法和经史典故,具有稼轩"以文为词"的特点。这些都是黄永长调词中"稼轩风"的明证,从中正可窥见清初"稼轩风"在词坛重振之一斑。Huang Yong is an important Chinese composer of Pi Ling group in the early Qing dynasty.Most of his long tune was written after his dismissal.He left a large number of long tunes and his works had obvious learning trace from Jiaxuan Ci.The content shows sadness for failing to realize his ambitions,and the main style of his works was grief and boldness.At the same time,he also wrote many rural Ci and showed his sense of humor.A large number of prose syntax and historical allusions were used in his works,making them have the characteristics of Jiaxuan's“taking Ci as a prose”.These are clear evidence of“Jiaxuan stlye”in Huang Yong’s long tune,from which we can see that the“Jiaxuan style”was revived in the early Qing Dynasty.

关 键 词：黄永 《溪南词》 稼轩风 清代 毗陵词人 

分 类 号：I207.22[文学—中国文学]