元人冠冕——赵孟頫对元四家绘画影响探析  

Cultural Leader of the Yuan Dynasty—— Analysis on Zhao Mengfu's Influence on Four Masters' Paintings

作　　者：褚庆立[1] ZHU Qing-li(College of Fine Arts,University of Jinan,Jinan 250022,China)

机构地区：[1]济南大学美术学院,山东济南250022

出　　处：《江苏理工学院学报》2018年第3期81-85,共5页Journal of Jiangsu University of Technology

摘　　要：以元代画家赵孟頫的绘画艺术及理论主张为视角,并以其对黄公望、吴镇、倪赞及王蒙元"四家"绘画影响为考察重点,探讨其在文人画发展上的贡献。通过分析,笔者认为,作为元代画坛巨擘,赵孟頫开辟出了一条重古法,以书法笔意入画的新格局,此后的"四家"则把这一风尚变成成熟的艺术实践,并推向了顶峰。他们的作品不仅反映出元画成熟后的典型面貌和所能达到的时代高度,同时,具有独特的精神内涵和美学品格。The thesis focuses on Zhao Mengfu’s influence on paintings of Four Masters(Huang Gongwang,Wu Zhen,Ni Zan and Wang Meng)in the Yuan dynasty based on his artistic creation,both practically and theoretically,so as to discuss Zhao’s contribution to the development of Chinese literati painting.The author arrives at the conclusion that Zhao,cultural giant of the Yuan dynasty,inaugurated a new painting pattern,i.e.the emphasis on the ancient techniques in the way to involve calligraphic conception in Chinese painting,which,subsequently,was promoted by the Four Masters at its height.Their works,in possess of particular aesthetic meanings and spiritual values,represent the maturity of the Yuan painting.

关 键 词：赵孟頫 绘画艺术 理论主张 元“四家” 

分 类 号：J205[艺术—美术]