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作 者:李社教 邱紫华 Li Shejiao;Qiu Zihua
机构地区:[1]湖北理工学院师范学院,教授黄石435003 [2]华中师范大学东方美学与文化研究所,教授武汉430000
出 处:《中国文学批评》2018年第3期67-73,158,共8页Chinese Journal of Literary Criticism
摘 要:近年来,"器物审美"逐渐进入美学界的视野,这正是当下美学研究重要的"转向标"之一。从哲学、文字学、美学三个层面来分析"器"的内涵,可以发现,"器物审美"是对人工之物而非天工之物的审美。其根本特点在于:以实用性为基础的审美,审美离不开实用功利性。器物审美是欣赏器物的形制以及通过形式显现的人类创造性的智慧,具体表现为器物工艺技术之美、装饰图式纹样之美;器物审美主要是对器物形式的审美;器物的形态样式蕴藏着丰厚的历史信息,能够揭示出特定历史时代的生活印痕和文化信息。器物审美的基本途径是通过形式揭示精神内容。In recent years,the“aesthetics of utensils”has gradually entered the domain of aesthetics studies,and become one of the important steering marks.Examining the connotation of utensils from the aspects of philosophy,philology and aesthetics respectively,we find“aesthetics of utensils”is concerned on the aesthetics of works of man rather than of works of nature.Usefulness is its basic characteristics.The aesthetics of utensils can be separated from utility,which means to appreciate actual shapes and forms,as well as the wisdom of human creativity embodied in the craftsmanship and decorative patterns.The design of utensils contains profuse cultural and everyday life information of particular historical times.The foremost way of utensil aesthetics is to reveal the spiritual content from artistic forms.
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