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作 者:陈思佳[1] 张红卫[2] Chen Sijia;Zhang Hongwei
机构地区:[1]北京交通大学,北京100044 [2]北京交通大学建筑与艺术学院,北京100044
出 处:《中国园林》2018年第8期78-81,共4页Chinese Landscape Architecture
摘 要:与传统纪念性景观中建筑体量高大、气势宏伟的特点不同,当代纪念性景观中出现了将展示建筑进行消隐、将环境作为纪念性景观的主体来塑造的趋势。这种趋势的出现主要归因于人文主义思潮所带来的平民化纪念方式的变化,大众生态意识、环境意识的提高,以及人们对艺术特色塑造的追求。按照展示建筑消隐形式的不同,当代纪念性景观中建筑消隐的方式可大致分为建筑主体隐于地下、隐于地表和与环境同质3种形式。当代纪念性景观中建筑消隐这一手法的出现,代表着人们对空间环境开始重视起来。Unlike the traditional monumental architecture which has high mass and magnificent momentum,contemporary monumental buildings tend to hide the architectural form,and the environment has become the main part of the memorial space.The emergence of this trend is mainly due to the impact of humanism which bring about the change of civic commemorative changes,and the improvement of ecological and environmental awareness,and the pursuit of artistic characteristics of people.The way of building reduction in the contemporary memorial can be divided into three forms:the building's main body obscured under the ground,the building's main body obscured in the earth's surface and the building's main body has the same texture with the environment.The emergence of this trend illustrates people's attention to the space environment.
分 类 号:TU986[建筑科学—城市规划与设计]
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