论沈光文寓台时期的博物书写  

On the Natural Writing of Shen Guangwen During his Residence in Taiwan

作　　者：张如安[1] 毛国强 ZHANG Ru-an;MAO Guo-qiang(Faculty of Humanities and Media,Ningbo University,Ningbo 315211,China)

机构地区：[1]宁波大学人文与传媒学院,浙江宁波315211

出　　处：《宁波大学学报（人文科学版）》2018年第5期10-14,35,共6页Journal of Ningbo University：Liberal Arts Edition

基　　金：国家社科基金重大项目"天一阁所藏文献分类整理与研究"(13&ZD089)

摘　　要：沈光文寓台后的创作主要有两个特点:一是基于遗民心理的乡愁书写,二是基于知识传统的博物书写。沈光文寓台后的博物书写主要体现在文体上的多样性、内容上的异物性和手法上的描述性。究其写作原因,一是渊源于传统诗文书写的博物理论,二是入台后亲身经历所提供的现实基础。沈光文寓台后的博物书写富有开拓性,影响深远。When Shen Guangwen lived in Taiwan,his writings revealed two features:one is the nostalgic writing based on the mind of the people and the other is an extensive description of things based on the knowledge tradition.His extensive description of things is mainly embodied in three aspects:variety in genres,heterogeneity in content and descriptiveness in writing techniques.There are two reasons why he writes:one is from the natural theory of traditional poems writing and the other is the realistic foundation providing by his own experience after living in Taiwan.After his residence in Taiwan,Shen Guangwen described things in a broad and pioneering way with a deep influence.

关 键 词：沈光文 寓台 博物书写 文体 

分 类 号：I206.2[文学—中国文学]