菲茨杰拉德作品中的流亡主题研究  

A study of the theme of exile in Fitzgerald's works

作　　者：付景川[1] 徐媛媛[1] FU Jing-chuan;XU Yuan-yuan(Jilin University,Changchun 130012,China)

机构地区：[1]吉林大学,长春130012

出　　处：《云南大学学报（社会科学版）》2018年第5期96-101,共6页The Journal of Yunnan University:Social Sciences Edition

基　　金：国家社会科学基金项目"美国文学与美利坚民族文化意识研究"(项目号:12BWW30)阶段性研究成果

摘　　要：流亡文学不仅是一种文学题材,也同样是一种文学类型。在特定的历史背景下反映特定的时代精神和作家的写作心态。尤其是在20世纪上半叶,经历两次世界大战和社会变革的美国,知识分子流亡在其文学史上占有极大的比重。作为迷惘的一代的流亡作家菲茨杰拉德,必然与这个时代的流亡文学浪潮有着密不可分的联系,他笔下所塑造的主人公形象无论是精神上的自我放逐还是抒发对未来的迷惘状态,无不具有20世纪流亡主题的共性。作家菲茨杰拉德的《人间天堂》《漂亮冤家》《夜色温柔》三部长篇小说描述了作为一个流亡作家在其创作道路上的得与失、寻找与回归,由青年走向成熟的过程。Exile literature is not only a literary subject,it is also a literary type.In a specific historical context,it reflects the spirit of a particular era and the writers mentality.Especially in the first half of the 20th century,in the United States,which had experienced two world wars and social changes,the exile of intellectuals accounted for a large proportion of its literature.Fitzgerald,a writer in exile and a member of the lost generation,is bound to be inseparably linked to the tide of exile literature of this era.The image of his heroine in his writing is either a spiritual self exile or has confusion over the future.It has the commonality of the theme of exile in the 20th century.His three major novels,“This Side of Paradise”,“The Beautiful and Damned”and“Tender is the Night”,describe his gains and losses in literary creation as a writer in exile as well as his search and return in the process of growth to maturity.

关 键 词：菲茨杰拉德 流亡文学 意识流亡 自我放逐 回归 

分 类 号：I37[文学—其他各国文学]