娱乐政治:京剧与民国前期上海精英阶层的形塑  

The Politics of Entertainment: the Peking Opera and the Making of the Shanghai Elite Class in the Early Republican Era

作　　者：魏兵兵[1] Wei Bingbing

机构地区：[1]中国社会科学院近代史研究所

出　　处：《近代史研究》2018年第5期85-104,161,共21页Modern Chinese History Studies

摘　　要：民国前期,上海新兴的城市精英热衷于参与京剧娱乐活动,尤其追捧来自北京的"京角",借此形塑了自身在地方社会中的领导地位。民初以降,文人学士以多种方式提升了京剧的文化层次,并赋予京角前所未有的文化光环。上海精英群体通过为京角捧场、与之交际往还、以票友身份学习表演并登台献艺等活动,确立了相对于普通民众的文化优越地位,使其城市社会领导者的身份获得文化上的"合法性"。同时,各种京剧活动场合为本地精英人士提供了跨行业甚至跨地区社交联谊的渠道,强化了彼此之间的阶层认同,而邀请京角参加公益演出或亲自参与其中则成为他们赢得社会声誉、提升公众形象的重要方式。In the early Republican period,the new Shanghai urban elites were devoted to the Peking Opera as an entertaining activity,especially supporting star singers from Beijing,to establish their leading role in the local society.The literati enhanced the cultural level of the Peking Opera in various ways and conferred to unprecedented cultural aura to Peking Opera singers.By involving in activities related to the Peking Opera,the Shanghai elites assured their cultural superiority to common people and obtained their cultural“legitimacy”as social leaders in the city.Meanwhile,numerous settings for Peking Operas provided channels for the local elites to build trans-professional and trans-regional networks and reinforced their class identity.It was an important way for them to gain social prestige and improve their public images to invite Peking Opera singers to charity performances and even participate in the performances themselves.

关 键 词：京剧 京角 捧角 票友 上海 精英阶层 

分 类 号：J821[艺术—戏剧戏曲] K258[历史地理—历史学]