音高听知觉重组研究及聆听感知分析  

Studies on Pitch Re-organization and Analysis of the Sense of Listening

作　　者：李小诺[1] 

机构地区：[1]上海音乐学院音乐学系,上海200031

出　　处：《南京艺术学院学报（音乐与表演版）》2018年第3期68-75,共8页Journal of Nanjing Arts Institute:Music & Performance

基　　金：上海高校高峰高原学科建设项目;上海音乐学院音乐研究所项目的研究成果

摘　　要：人类的感知觉不只是简单地输入-输出(刺激-反应)系统,而是在一定的环境背景下,对事件进行认知性解释的复杂过程。随着心理学、认知科学等学科对音乐知觉现象研究的介入,越来越多的成果表明,在信息传递和加工过程中,我们知觉到的往往是经过大脑组织加工后的信息。本文首先梳理有关听知觉对音高信息重组加工的相关研究结论,分析音乐听知觉音高分层的基本特征及脑机制;在音高与时值的交互感知中,分析单声部音乐中听觉分裂的重组现象。在此基础上,以具体音乐作品片段的听觉分析为例,阐述听感知加工的"创造性"特征,它对更高级审美加工具有重要意义。Human perception is not simply an input-output(stimulus-response) system, but a complex process of cognitive interpretation of events in a certain context. With the involvement of psychology, cognitive science and other disciplines in the study of music perception, more and more achievements have shown that in the process of information transmission and processing, what we perceive is often the information organized and processed by the brain. This article first sorts out the relevant research conclusions about the recombination of hearing perception to pitch information and analyzes the basic features and brain mechanism of the pitch stratification of music hearing perception; In the interactive perception of pitch and time value, analyzing the recombination phenomenon of auditor y division in monophonic music. On this basis it takes the auditor y analysis of specific excerpts of compositions as examples to elaborate the "creative" features of auditor y perception processing, which is of great significance for the higher aesthetic processing.

关 键 词：音高 听知觉重组 聆听感知 分析 

分 类 号：J601[艺术—音乐] J604