从可视迈向视听--有声电影对30年代中国电影表演的影响  

From Visual to Audition——the Influence of Sound Film and Technology on the National Film Performance in 1930s

作　　者：王涛[1] 黄洁茹[2] WANG Tao;HUANG Jieru(School of Art and Design,Nanchang University,Nanchang,Jiangxi 330031;School of Music,Jiangxi Normal University,Nanchang,Jiangxi 330022,China)

机构地区：[1]南昌大学艺术与设计学院,江西南昌330031 [2]江西师范大学音乐学院,江西南昌330022

出　　处：《江西师范大学学报（哲学社会科学版）》2018年第5期60-65,共6页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金后期资助项目“中国早期电影表演综论(1905-1949)”(编号:18FYS009)。

摘　　要：20世纪30年代在中国电影历史上是一个比较重要的时代,这一时期无声电影的表现形式、技术手段都已比较成熟,并形成了自身独特的艺术特点,在电影表演上也更为成熟,达到了无声电影的表演高峰。与此同时,有声电影迅速发展并逐渐成为电影发展的主流,有声电影的出现为原本以视觉为主的电影艺术增添了新的表现手段,成为了视听结合的艺术形式。有声电影解放了演员的创作天性,解除了单纯的肢体表演的束缚,从"可视"的局部视觉表演迈向视听结合的整体表演。1930s was an important era in the history of Chinese film.In this period,the expression forms and technical means of silent films matured,and have formed their own unique artistic characteristics.The film performance was also more matured,reaching the peak of the performance of silent films.At the same time,sound films developed rapidly and gradually became the mainstream of film development,the appearance of the sound film has added new means of expression for the original vision-based film art.Sound films became the artistic form of audio-visual combination,liberated the actor’s creative nature,and relieved the bondage of purely physical performance,realizing the whole performance of audio-visual combination.

关 键 词：电影表演 默片表演 有声电影 

分 类 号：I902[文学]