清末民初旗人小说中的北京形象  

The Image of Beijing in Manchu Banners' Novels between Qing Dynasty and the Republic of China

作　　者：王一波 WANG Yi-bo(School of Police Administration,People’s Public Security University of China,Beijing 100038,China)

机构地区：[1]中国人民公安大学公安管理学院,北京100038

出　　处：《北方民族大学学报（哲学社会科学版）》2018年第5期161-165,共5页Journal of North Minzu University(Philosophy and Social Science)

摘　　要：20世纪的中国文学对北京有着很多想象性的表达,文学中的北京是中国知识分子精神故乡的象征之一,而"文学中的北京"之想象性表达则发端于清末民初的旗人小说。蔡友梅与穆儒丐的重要作品是清末民初旗人小说的代表,该类作品具有贴近平民生活的叙事视角,细读可体察"北京形象",其雅俗共赏的审美趣味为"京味小说"的产生起到了铺垫作用。Chinese literature in the 20th century has a lot of imaginative expression of Beijing,Beijing in literature is also one of the symbols of the spiritual homeland of Chinese intellectuals,and the imaginative expression of“Beijing in literature”began in the late Qing Dynasty and early Republic of China’s Banner novel.Cai You-mei’s and Mu Ru-gai’s important works are the representatives of the Banners novels.These works have a narrative perspective close to the common people’s life,and can be seen through close reading of the image of Beijing.Their aesthetic tastes of both elegance and vulgarity pave the way for the emergence of“Beijing-flavor novels”.

关 键 词：旗人小说 蔡友梅 穆儒丐 北京形象 

分 类 号：I206[文学—中国文学]