肖邦前奏曲音响多层性研究  

The Multi-layer Sound Organization of Chopin's Preludes

作　　者：孟颖[1] MENG Ying(College of Music,Zhejiang Normal University,Jinhua 321004,China)

机构地区：[1]浙江师范大学音乐学院,浙江金华321004

出　　处：《浙江师范大学学报（社会科学版）》2018年第5期97-109,共13页Journal of Zhejiang Normal University(Social Sciences)

摘　　要：肖邦的前奏曲中展现出多样的纵横音响层次布局,这些多样的音响布局不论是从音响层次的叠合式音响,到功能性音响效果,还是音响运动的结构性比例及布局,都呈现出丰富多样的多层性音响组织思维。文章以肖邦前奏曲的多层音响思维为研究对象,梳理和分析肖邦作品的形态构造,解构和重构肖邦在前奏曲中所表现出的各种音响组织构思,阐释并探讨肖邦多层音响构成的多面性和多变性,以期在演奏中实现更充分、准确、合理的情感表达。In Chopin’s preludes,there is a wide variety of multi-layer layout.From superimposed sound levels,to functional sound effects,and to the structural proportion and layout of sound movements,all present a rich and diverse sound organization.On that basis,this paper studies the multi-layer sound organization of Chopin’s preludes,analyzes the morphological structure of Chopin’s works,deconstructs and reconstructs the sound organization in Chopin’s preludes,interprets and explores the multifacetedness and dynamics of Chopin’s multi-layer sound composition so as to enable a more accurate and reasonable emotional expressions when playing his music.

关 键 词：肖邦前奏曲 音响 多层性 

分 类 号：J604.6[艺术—音乐]