谭觉园《觉园词话》词学思想探论  

On the Thoughts of Jue Yuan's Works of Notes and Comments on Ci-poetry

作　　者：邱美琼 刘雨婷[2] QIU Mei-qiong;LIU Yu-ting(College of Liberal Arts,Yunnan Normal University,Kunming 650500,China;College of Humanities,Nanchang University,Nanchang 330031,China)

机构地区：[1]云南师范大学文学院,云南昆明650500 [2]南昌大学人文学院,江西南昌330031

出　　处：《湖南大学学报（社会科学版）》2018年第5期92-98,共7页Journal of Hunan University(Social Sciences)

基　　金：国家社会科学基金项目:"民国时期重要词学理论批评承纳;建构与展开研究"(16BZW001)

摘　　要：谭觉园的《觉园词话》,在词之起源、体制、创作、声律、正变之论等方面都有着独特的见解。在词体起源论上,它将词之起源框定于中晚唐时期。在词之本质论上,主张以情为本,强调情感表现为词的第一要义。在词之创作论上,标树十六字诀,全面简洁地对词的艺术表现提出了要求。在词之声律论上,以维护词之本色为目的,细致论说了词的声调用韵等方面内容,廓清了本末轻重,提出了不少新的主张。在词之正变论上,则体现出甚为平正的批评观念。谭觉园的词学思想,内涵丰富,特色鲜明,在我国传统词学批评史上有着重要的价值及独特的地位。In Jue Yuan’s Works of Notes and Comments on Ci-poetry,there are unique opinions,in the Ci-poetry of the origin,structure,creation,rhythm and changes.On the criticism of the origin of Ci-poetry,it sets the origin of Ci-poetry in the middle and late Tang Dynasty.On the essence of Ci-poetry,it advocates emotion,emphasizing emotional expressions as the first meaning of Ci-poetry.On the criticism of the creation of Ci-poetry,the“sixteen words”marked the requirements of the artistic expression of Ci-poetry in a comprehensive and concise way.On the criticism of the rules governing the rhythm of words,in order to maintain the inherent qualities of Ci-poetry,it elaborated the Ci-poetry's rhyme tone and other aspects,clarified the ins and outs of the severity,put forward many new ideas.In the Ci-poetry of direct variation,it reflects the very fair concept of criticism.Tan Jueyuan’s thought of Ci-poetry is rich in connotation and distinctive in character,it has important value and unique position in the history of Chinese traditional Ci-poetry criticism.

关 键 词：《觉园词话》 词之起源论 体制论 创作表现论 正变论 

分 类 号：I206.5[文学—中国文学]