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作 者:卫绍生[1] Wei Shaosheng
机构地区:[1]河南省社会科学院文学研究所
出 处:《中州学刊》2018年第9期134-140,共7页Academic Journal of Zhongzhou
摘 要:中原是华夏文明的发祥地,也是中国古典诗歌的发源地。从尧舜至春秋战国时期,中原一直是政治、经济、文化中心区域。产生于这一时期的中原歌谣反映出当时中原的社会状况和人们的生产生活面貌。从歌谣的内容来看,有尧时民歌,有舜时民歌,也有夏商周三代民歌。这些民歌寄托着中原人民的浓厚情感,表达了中原人民的喜怒哀乐,反映出先秦时期中原人民的社会文化生活;从其表现手法来看,除了白描和直抒胸臆,赋比兴的手法已经有所运用。可以说,先秦时期的中原歌谣为《诗经》及其后中国古典诗歌的发展奠定了坚实的思想和艺术基础。The central plains is the birthplace of the Chinese civilization and Chinese classical poetry.From Yao and Shun to the Spring and Autumn Period,the central plains has always been a central area of politics,economy and culture.The ballads of the central plains,which originated in this period,reflect the social situation and people′s life in the central plains at that time.Among these ballads,there are Yao folk songs,Shun folk songs,and folk songs of the Xia,Shang and Zhou dynasties.These ballads convey the strong feelings of the people in the central plains.These ballads express the joys and sorrows of the people in the central plains and reflect the social and cultural life of the people in the pre-Qin period.Judging from the way in which these ballads are displayed,in addition to sketching and expressing one′s mind directly,narrative,analogy,and association practices have been applied.It can be said that the ballads of the central plains in the pre-Qin period has laid a solid ideological and artistic foundation for the development of the classics of poetry and the later Chinese classical poetry.
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