何处园林不忆君?——论陈从周的园林美学思想  

On Chen Congzhou's Garden Aesthetics

作　　者：万书元[1] WAN Shu-yuan(School of Humanities,Tongji University,Shanghai 200092,China)

机构地区：[1]同济大学人文学院,上海200092

出　　处：《同济大学学报（社会科学版）》2018年第5期36-47,共12页Journal of Tongji University:Social Science Edition

摘　　要：陈从周的园林(景观)美学以恬淡与纯真的自然主义趣味为底色,以生态的圆融和自洽为伦理导向,以诗意和通感生成的意境为中心,通过虚实相济、有无相生的辩证思维方法,一方面赓续了"虽由人作,宛如天开"的传统的园林美学思想,另一方面又创造性地提出了建构富有时代特色的审美意境和缠绵悱恻、超旷空灵的情感空间的美学主张。陈从周的园林美学也许更多地属于一种带有隐逸趣味的诗学,这与他更偏爱小家碧玉而非大家闺秀的审美选择是一致的,也与他拒绝、厌恶大工程的主张相契合。对当下的中国来说,这一点尤其意味深长,值得建筑、城市和园林从业者细细品味。Chen Congzhou’s garden aesthetics,based on the naturalistic tastes of conciseness and pureness,highlights the artistic mood of poeticalness and synaesthesia with an ethical orientation in ecological harmony and self-consistency.On the one hand,he inherits traditional garden aesthetics,that is,“although the gardens are made by human beings,they seem to be born from nature”.On the other hand,he dialectically combines illusion and reality,emphasizes the interaction of being and nothing,and creatively proposes that the gardens must have the aesthetic contexts and the feeling spaces of the sentimental,dreamlike quality of its time.Chen Congzhou’s garden aesthetics may be more of a kind of reclusive poetics.It is consistent with his aesthetic preference for the small and simple,rather than the sizable and magnificent.It is why he always rejects and dislikes any big projects.His thinking is especially meaningful for the present China,which will enlighten all practitioners in the fields of architecture,urban planning and gardens.

关 键 词：陈从周 古典园林 园林美学 诗情画意 意境 

分 类 号：TU986.1[建筑科学—城市规划与设计]