读书笔记Ⅰ:“音乐的耳朵”与超生物性感官——重读马克思《1844年经济学哲学手稿》相关内容并及赵宋光人类学本体论思想讨论  

Reading Notes Ⅰ: “Ears of Music” with Hyper Biological Senses: Rereading Relevant Contents of Marx's Economic and Philosophical Manuscripts of 1844 and Discussing about Anthropological Ontology of Zhao Songguang

作　　者：韩锺恩[1] HAN Zhong’en

机构地区：[1]上海音乐学院

出　　处：《星海音乐学院学报》2018年第4期15-27,共13页Journal of Xinghai Conservatory of Music

摘　　要：文章系经典读书笔记之一,以马克思《1844年经济学哲学手稿》中的术语"音乐的耳朵"为主题,通过相关哲学与美学问题讨论,结合赵宋光人类学本体论思想,解释潜藏并隐义于其中的专属于"音乐的耳朵"的意义指向。从主体与对象之间互为依存的相属关系、人的听感官属性、"音乐的耳朵"的存在问题切入,关联超生物的肢体、超生物的经验、超生物的目的,就"音乐的耳朵"所牵扯到的经验性想像与先验性想象关系,以及由此关系成就的超结构性结构与听本体问题,作进一步讨论。进而认定:只有在作为音乐的声音这样一种仅有的感性对象的前提条件下,通过属艺术的听动作与具审美的临响行为,才可能成就之所以是的"音乐的耳朵"。This paper is one of the author’s notes of classical readings.Taking the term“Ears of Music”from Marx’s Economic and Philosophical Manuscripts of 1844 as the key word of the subject,it discusses related philosophical and aesthetic issues of Zhao Songguang's anthropological and ontological thoughts,with an interpretation of the hidden and implicit meaning of Marx’s words.Cutting-over the themes of the interdependent relationship between the subjects and objects,the hearing attributes of human being,and the existence of“Ears of Music,”it further discusses the correlations of the supper-biological body,super-biological experience,and supper-biological goal,with the empirical relationship between imagination and transcendental imagination and the relationship between the achievement of super structural structure and listening ontology.Furthermore,it concluds that only under the precondition of music sound,which is only a kind of perceptual object,can the“Ears of Music”be achieved through artistic listening activity and aesthetic critical behaviors.

关 键 词：“音乐的耳朵” 超生物性感官 马克思《1844年经济学哲学手稿》 赵宋光人类学本体论思想 

分 类 号：J60-02[艺术—音乐]