“名士风姿战士骨”——陶军旧体诗词创作流变论  

The Evolution of Tao Jun’s Old Poetry Creation

作　　者：李遇春[1] 王彪 Li Yuchun;Wang Biao(School of Chinese Language and Literature,Central China Normal University,Wuhan 430079)

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《华中师范大学学报（人文社会科学版）》2018年第6期118-126,共9页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：国家社会科学基金重大项目"多卷本<中国现当代旧体诗词编年史>编纂与研究及数据库建设"(18ZDA263)

摘　　要：陶军一生的旧体诗词创作可用"名士风姿战士骨"这句诗概其全貌。"战士风骨"指其以现代革命集体意志书写为内核所形成的激昂、质朴、通俗的显在诗艺取向,而"名士风姿"指其深受古典名士风度影响所形成的个人化情志流露以及幽婉、清丽、含蓄的深层诗艺取向,二者互为表里、彼此契合。在时代语境、个人心境、艺术取境的共同作用下,陶军的旧体诗词创作形成了不同的阶段性:在革命战争时期(1937-1949),陶军由爱国知识青年跃变为革命战士,其诗作远承陆游悲愤激昂余绪,近受延安诗风熏陶,多属激昂质朴的军旅诗词。"十七年"时期(1949-1966),陶军由革命战士转为教育家和学者,所作或陶怡山水,或重检江山,或讴歌新气象,因受陶、谢影响,多为自然清丽的纪游诗词。十年浩劫时期(1966-1976),陶军虽境遇惨淡,但其风骨屹立不移,以偏于沉郁内敛的咏怀诗词创作为主。"新时期"(1977-1987)以降,陶军老骥伏枥,桑榆未晚,所作多为平易畅达的赠答悼挽诗。纵观陶军的诗词人生,其诗学选择与现代民族国家的命运休戚相关。Tao Jun’s old poetry creation has the characteristics of“the warrior spirit”and“the charm of learned celebrity”.“The warrior spirit”refers to the passionate,simple and popular poetic art orientation formed by the modern revolutionary collective will,and“the charm of learned celebrity”refers to the personal emotions formed by the influence of classical celebrity style and the quiet,clear and subtle deep poetic orientation as well.The two characteristics are in line with each other and fit each other.Throughout Tao Jun’s poetry life,it is showed that his choice of poetics is closely related to the destiny of the modern nation.

关 键 词：陶军 旧体诗词 战士风骨 名士风度 创作流变 

分 类 号：I207.25[文学—中国文学]