魔幻的记忆与现实的遗忘:《寻梦环游记》之仪式、抉择与隐喻  

Magical Memory and Realistic Oblivion: The Rites,Choices and Metaphors of Coco

作　　者：徐爽[1] XU Shuang(School of Chinese Language and Literature,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学文学院,重庆400715

出　　处：《重庆邮电大学学报（社会科学版）》2018年第6期143-150,共8页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

基　　金：中央高校基本科研业务费专项资金项目:中国电影的公共外交与海外传播研究(SWU1509524)

摘　　要：动画片《寻梦环游记》以墨西哥本土传统节日亡灵节为创作语境,契合了近两年部分好莱坞现象级动画片所凸显的美国主流价值与身份政治的认同轨迹,通过描绘米格尔在亡灵国度的奇幻之旅,体察全球文化产品对于现实记忆与文化包容的关注,继而对墨西哥本土文化进行内化思考。该影片不仅体现了在文化全球化语境下,墨西哥族裔对本国传统民族文化的守护与珍存,对本土文化核心价值的传承与坚守,还针对墨西哥与美国之间的外交移民话题展开现实追问。Grounded on the context of the traditional Mexican festival of the Day of the Dead,the animation Coco conveyed its heartwarming family values,pursuit of dreams,reflection on life and death through the story of the protagonist,and the Mexican juvenile named Miguel pursuing his musical dream.Macroscopically,Coco accords with the cultural track of“embracing diversification,opposing unity”that is revealed in some of the recent phenomenal Hollywood animations.During his visit to the Land of the Dead and back to the Land of Living,Miguel was endowed with an identity of the uprooted,through which a reflection on the Mexican native culture was conducted,and,at the same time,through which,an inquiry about the practical issues of migration and diplomacy between the United States and Mexico was made.The film reflected the original Mexicans’protection and preservation towards the traditional cultural of their own nationality and showed their inheritance and defense of the core value of Mexican culture.In addition,during this process the Hollywood filmmakers’metaphors for,and the introspection of the national policy orientation and the relations between the two countries were embodied.

关 键 词：《寻梦环游记》 仪式 文化包容 墨西哥 

分 类 号：J905[艺术—电影电视艺术]