施光南歌剧咏叹调《不幸的人生》旋律“音程向位”的衍展  

Melody from the Aria “An Unfortunate Life” by Shi Guangnan

作　　者：魏扬[1] 苏冬昕[2] Wei Yang;Su Dongxin

机构地区：[1]上海师范大学音乐学院,上海200234 [2]华南师范大学音乐学院,广东广州510631

出　　处：《南京艺术学院学报（音乐与表演版）》2018年第4期71-80,164,共11页Journal of Nanjing Arts Institute:Music & Performance

基　　金：国家社会科学基金艺术学青年项目"音乐创作中纯五度复合和声体系研究--以金湘音乐作品为例"(项目编号:12CD080)阶段性成果之一

摘　　要：施光南的歌剧《伤逝》首演至今已38年,受到广大演唱者喜爱和研究者关注。尤其是其中的咏叹调《不幸的人生》更是为大家所推崇,成为经典曲目。笔者借助西方微观分析之"音程向位"分析法,对《不幸的人生》旋律结构进行再研究和再论证,希望能在前人基础之上更加准确地领悟作曲家的创作构思,发现作品旋律"音程向位"的结构规律,为中国歌剧创作和表演提供有益的参考。It has been 38 years since the premiere of Shi Guangnan’s opera"Sorrow of the Past"and it has gained affection from singers while catching attention from scholars.In particular,the aria"An Unfortunate Life"has been highly praised and has become a piece among classic repertoire.This essay will use the western“interval directional position”method of microscopic analysis to re-analyze and re-proof the melodic structure of the opera in the hope to more accurately understand the composer’s creative intention,providing reference for the composing and performing of Chinese operas.

关 键 词：施光南 歌剧 咏叹调 旋律 音程向位 

分 类 号：J614[艺术—音乐] J617.2