论程煐的《龙沙剑传奇》的创作艺术  

Review on the Creative Art of The Legend of Long Sha Sword Composed by Cheng Ying

作　　者：王井辉[1] 王则远[1] WANG Jing-hui;WANG Zhe-yuan(School of Literature,History and Culture, Qiqihar University,Qiqihr,Hei Longjiang 161006 China)

机构地区：[1]齐齐哈尔大学文学与历史文化学院,黑龙江齐齐哈尔161006

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2018年第11期111-114,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：齐齐哈尔市哲学与社会科学规划项目(QSX2016-38JL);2017年黑龙江省经济社会发展重点研究课题:清代卜奎流人文献整理研究(JD2017023);2016年黑龙江省教育厅基本业务专项:清代东北流人文学研究(135109610)

摘　　要：《龙沙剑传奇》是目前黑龙江所发现的唯一一部流人戏剧文本,该传奇糅合许旌阳除妖及湘媪、李鹬三个传统神话故事,结思精巧,借以宣泄作者程煐的民族之愤和个人之悲。在传奇创作艺术上,其"高华雄丽","结构严密",充分显示出作者的传奇创作才华;尤其是在传奇剧创作实践上,继承了明代以来南戏的道统,不愧中国戏曲史上"传奇收场时的豹尾"、"明清传奇的殿军"的高度评价。As the only playwright,composed by an exiled man,has been found in Hei Longjiang so far,The Legend of Long Sha Sword integrated three traditional mythologies about Xu Jingyang,Xiang Ao and Li Yu who were renowned for their fights with devils,through which the author expressed his indignation for the nation and the individual misery.In terms of the traditional art of creation,the work is characteristic of“magnificent highness in tune”and“well-knit in structure”,which adequately revealed the author’s talent in his composing the legend.His practice of composing legends inherited the conventional ways from classical opera in South China after Ming and Qing dynasties,thus it was in high regard as the most prominent and attractive legend of Ming and Qing dynasties in the history of Chinese opera.

关 键 词：程煐 《龙沙剑传奇》 黑龙江流人 创作艺术 

分 类 号：K25[历史地理—历史学]