钟情与无情的周旋:论魏晋风度的内在矛盾性  

Negotiation between Zhongqing (Emotional) and Wuqing (Emotionless):On the Inner Contradiction of the Wei-Jin Style

作　　者：余开亮[1] Yu Kailiang

机构地区：[1]中国人民大学哲学院,教授北京100872

出　　处：《中国文学批评》2018年第4期34-42,155,156,共11页Chinese Journal of Literary Criticism

基　　金：国家社会科学基金项目"郭象哲学的美学意蕴研究"(16BZX114)的阶段性成果

摘　　要：重情作为魏晋风度的一大特色,历来受到魏晋思想研究者重视。然而在一些研究者那里,经常将性情与感情的用法进行混同,而得出一些片面的看法。魏晋风度当受到传统的气感类应哲学观与汉末以来玄学新义的双重影响,前者形成了魏晋士人"钟情"的日常情态,后者则引导了一种"无情"的理想追求。"钟情"与"无情"的周旋反复构筑了魏晋风度的内在矛盾性,呈现了魏晋士人冲突的人生美学。在谈论魏晋美学"情的自觉"时,实有必要对二者进行分疏。As a major feature of the Wei-Jin style(Wei Jin fengdu),zhongqing(being emotional)has always been highly valued by scholars of Wei and Jin thought.However,some scholars often use the two concepts of xingqing(temperament)and ganqing(emotion)interchangeably,and thus make one-sided conclusions.The Wei-Jin style had been double-influenced by the traditional philosophical views of qi gan lei ying(qi moves according to the categories)and the new metaphysics that had been developed since the end of the Han Dynasty.The former had constituted the daily modality of the zhongqing of the literati of the Wei and Jin dynasties,while the latter led to wuqing as their ideal pursuit.The negotiation between zhongqing and wuqing continually constructed the inherent contradiction of the Wei-Jin style,presenting the contradicting aesthetics of life of the Wei and Jin literati.It is necessary to distinct the two categories in discussing the“consciousness of qing(emotion)”of the Wei-Jin aesthetics.

关 键 词：钟情 无情 魏晋风度 元气论 玄学 

分 类 号：I206.2[文学—中国文学]