汉魏六朝诗歌中“牛郎织女”的世俗化演变  

作　　者：田雨璇 

机构地区：[1]中国海洋大学文学与新闻传播学院,山东青岛266100

出　　处：《淄博师专论丛》2018年第4期39-43,共5页Forum of Zibo Normal College

摘　　要："牛郎织女"的形象,最早见于《诗经》,后代文献多有阐释,在汉魏六朝诗歌中,则成为文人吟咏的对象。在此期间,诗歌中的织女形象和诗人抒发的情感日趋世俗化,后期诗歌还吸收了有关七夕的民俗内容,体现了世俗化的演变倾向。The image of“the Cowherd and the Weaving Maid”,was first seen in the Book of Songs,then explained in later documents.In the poetry of Han-Wei Six Dynasties,many scholars have written about it in their works.During this time,the image of the Weaving Maid and the poets’emotion have become more and more secular,and the later poems also absorbed folk customs about the Double Seventh Festival,which embody the inclination of secular evolution.

关 键 词：牛郎织女 汉魏六朝诗歌 世俗化演变 

分 类 号：I206.2[文学—中国文学]