邓洪山五音戏表演艺术研究  

Probing into Deng Hongshan's Performing Art in Wu-Yin Opera

作　　者：石蔚[1] Shi Wei(School of Music,Shandong University of Technology,Zibo255000,China)

机构地区：[1]山东理工大学音乐学院,山东淄博255000

出　　处：《山东理工大学学报（社会科学版）》2018年第6期65-71,共7页Journal of Shandong University of Technology（Social Sciences Edition）

基　　金：2016年国家社科基金艺术学项目"五音戏表演流派研究"(16BB023)

摘　　要：邓洪山是山东五音戏早期表演艺术家(工青衣花旦),对五音戏的形成与传播作出了重要贡献。邓洪山自幼受家庭环境熏陶,后天勤学苦练,博采众长,经多年艺术实践逐步形成雅俗相融、形神兼备、唱中带说的艺术风格与表演特色。"演的活一点,好一点,像一点"的理念,是他创新求变的终生艺术追求。Deng Hongshan is one of the early performing artists(Tsing Yi Hua Dan:female roles in Chinese operas)of Wu-Yin opera in Shandong Province.He contributed to the dissemination of Wu-Yin opera significantly.Influenced by his family ever since his childhood,Deng Hongshan worked hard and learned widely from others’performing artists,and eventually formed his own performing characteristics:vivid,appealing to audience of both refined and popular tastes,and narrating combining singing.His concept of performing art has always been:to play more vividly,better,and to resemble more.His ultimate artistic dream is to make change and be innovative.

关 键 词：邓洪山 五音戏 悠板 雅与俗 形与神 

分 类 号：J825[艺术—戏剧戏曲]