斯洛尼姆斯基24首前奏曲的体裁风格特点分析  

On Genre Characteristics of The 24 Preludes by Sloniemsky

作　　者：危柳 WEI Liu(School of Music and Dance,Changsha Normal University,Changsha 410100,China)

机构地区：[1]长沙师范学院音乐舞蹈学院

出　　处：《特立学刊》2018年第5期48-54,共7页Teli Journal

摘　　要：斯洛尼姆斯基的24首前奏曲与赋格被认为是20世纪末最后一部具有极高研究价值的赋格曲集。这24首前奏曲涉及11世纪至20世纪不同历史时期涌现出的重要音乐体裁,其中以复调的体裁形式居多,有创意曲、二部卡农曲、中国风格的复调小曲、幻想曲等;主调体裁的前奏曲也不少,并具有现代音乐风格特点,如众赞歌、无词歌、练习曲、舞曲等;除了主、复调的体裁外,还有音节式风格对位曲、利切卡尔、无对题节奏卡农曲3首特殊的古典体裁的前奏曲。这部作品把传统复调作曲手法和现代音乐思维逻辑相结合,体现出作曲家高度的创作思维及构成形式与情感表达相平衡的创作美学原则。Slonimsky's24Preludes and Fugue is considered to be the last fugue collection of high research value in the late20th century.The24Preludes involves important music genres emerging from different historical periods from the11th century to the 20th century,among which the genres are mostly polyphonic,including creative,two-part cannon,Chinese-style polyphonic minor,fantasia,etc.There are also a lot of preludes in the homophony,showing the characteristics of modern music style,such as hymns,no-word songs,etudes,dance music,etc.In addition tohomophonic and polyphonic genres,there are also the preludes of the three special classical genres of syllabic styles:counterpoint,richekar,and amanum.This work combines traditional polyphonic composition techniques with modern music thinking logic,reflecting the composer's highly creative thinking and the creation aesthetic principle of balanced composition form and emotional expression.

关 键 词：斯洛尼姆斯基 前奏曲 赋格套曲 复调 主调 作曲手法 

分 类 号：J6[艺术—音乐]