“几乎无事的悲剧”——试析毕飞宇《地球上的王家庄》  

Analysis on Bi Feiyu's Wangjiazhuang on Earth

作　　者：张颖 ZHANG Ying(School of Humanities,Shenzhen University,Shenzhen518000,China)

机构地区：[1]深圳大学人文学院,深圳518000

出　　处：《湖北工业职业技术学院学报》2018年第6期65-67,71,共4页Journal of Hubei Industrial Polytechnic

摘　　要：毕飞宇《地球上的王家庄》作为有关"文革"叙事的文本中的不凡之作,无疑具有独特的审美价值。小说中,毕飞宇运用其别具一格的艺术经验构建了三重世界:"我"的世界、父亲的世界和王家庄世界,将这三重世界置于文革时期的社会政治权力体系之下进行审视,其中前两重世界处于失语地位,王家庄世界则处于霸权位置,在这一深沉的历史思索之中揭露出权力的规训和惩罚无处不在、无所不包的强制性和必然性。As the masterpiece among books about“Cultural Revolution”narration,Wangjiazhuang on Earth written by Bi Feiyu has its unique aesthetic value.In the novel,Bi Feiyu builds three worlds with his peculiar artistic experience:the world of“I”,the world of father,and the world of Wangjiazhuang.He reviews these three worlds from the perspective of social and political power system in“Cultural Revolution”time and finds that the former two are in the aphasia position,while Wangjiazhuang world is in the dominant position.It is revealed that the discipline and punishment of power are everywhere compulsively and inevitably through historical thinking.

关 键 词：毕飞宇 地球上的王家庄 “文革”叙事 

分 类 号：I207.42[文学—中国文学]