世界华文微型小说论纲  

An Outline of Chinese Mini-Stories in the World

作　　者：龙钢华[1] LONG Ganghua(Liberal Arts College,Shaoyang University,Shaoyang 422000,China)

机构地区：[1]邵阳学院文学院,湖南邵阳422000

出　　处：《邵阳学院学报（社会科学版）》2018年第6期80-98,共19页Journal of Shaoyang University:Social Science Edition

基　　金：国家社会科学基金重点项目"世界华文微型小说百家创作年谱"(18AZW024);湖南省社会科学基金项目"当代华文微型小说名家创作年谱"(16YBB019)

摘　　要：世界华文微型小说渊源于中国古代的神话传说、志人志怪与笔记小说,自20世纪80年代以后日益繁荣,成了与长、中、短篇小说"四足鼎立"且读者群更广的一种文体。文章在全面梳理当代世界华文微型小说发展基本格局的基础上,重点提出了对其进行研究的二个范畴:一是微型小说的存在方式研究,包括创作主体(作者)、作品、接受主体(读者)、载体、组织交流与评奖,以及产业化发展;二是微型小说文本批评,强调系统而精准的文体批评宜着眼三个层面,即文化层面、文学层面和文本层面。Chinese mini-stories,which are based on Chinese ancient myths and legends,the tales of man,myth and monster,and note novels,has become one of the four important novel styles together with long novels,medium-length novels and short stories with a larger number of readers since its birth in the 1980s.On the basis of combing the general development of contemporary Chinese mini-stories,the paper puts forward two fields for the study:the study of the existence mode of mini-stories and the study of the literature reviews on them.The former covers the creator,the work,the reader,the vector,the exchange,the awarding and the industrialized development.The latter focuses on the systematical and accurate style criticism from the levels of culture,literature and text.

关 键 词：华文微型小说 存在方式研究 文本研究 

分 类 号：I247.8[文学—中国文学]