马克思主义艺术生产视阈下的误读理论  

Misreading theory from the perspective of Marxist art production

作　　者：崔国清 CUI Guo-qing(Renmin University of China,Beijing 100872,China)

机构地区：[1]中国人民大学文学院,北京100872

出　　处：《科学．经济．社会》2018年第4期109-114,共6页Science Economy Society

基　　金：国家社科基金重大项目"丝路审美文化中外互通问题研究"(项目编号:17ZDA272)阶段性成果

摘　　要：文学的影响是文学批评中一个重要的问题,不仅事关文学的传统和创新,更牵涉文学史的构建。哈罗德·布鲁姆提出的误读理论以文本互文性为理论基点建立起一套具有辩证意义的文学史发展模式,但是他将互文性限定在两个文本内部的语言运作模式,很少联系具体的历史语境,失去了文本和社会现实之间的紧密联系。本文将从马克思主义文艺批评中"艺术生产"这一角度切入,考察误读理论作为文学革新发展的内在机制,从而对误读理论形成一个反思的视角,揭示文本本身的开放性、多元性和生成性。The influence of literature is an important issue in literary criticism.It is not only related to the tradition and innovation of literature,but also involves the construction of literary history.The misreading theory proposed by Harold Bloom establishes a dialectical development model of literary history based on the textual intertextuality,but he limits the intertextuality to the internal language operation mode of the two texts.Rarely contact specific historical contexts and lose the close connection between text and social reality.This article will examine the misreading theory as the internal mechanism of literary innovation development from the perspective of"art production"in Marxist literary criticism.Thus forming a reflective perspective on misreading theory,revealing the openness,diversity and generative nature of the text itself.

关 键 词：误读 艺术生产 互文性 转义 

分 类 号：F403[经济管理—产业经济]