俗文学存在的合理性  

On the Rationality of the Existence of Popular Literature

作　　者：刘珊珊[1] LIU Shanshan(History Culture and Tourism School, Gannan Normal University, Ganzhou 341000, China)

机构地区：[1]赣南师范大学历史文化与旅游学院,江西赣州341000

出　　处：《赣南师范大学学报》2019年第1期74-79,共6页Journal of Gannan Normal University

基　　金：2016年度国家社会科学基金重大招标项目(16ZDA164)

摘　　要：20世纪初产生的俗文学概念,经历了萌兴、发展、繁荣、消歇、回归的历程。在其发展过程中始终与民间文学、雅文学纠缠不清,未能建构起独立的学科理论体系,始终得不到学界的肯定,于学科边缘中徘徊挣扎。本文从俗文学与民间文学、雅文学之间的关系入手,寻求俗文学学科在当今新形势下存在的合理性,以期能对该学科未来的发展有所裨益。Emerging in the early 20th century, the concept of popular literature has gone through the process of germination, development, prosperity, recession and return. In the course of its development, it has always been entangled with folk literature and elegant literature, and failed to construct an independent disciplinary theoretical system. Popular literature has never been affirmed by the academic circles, struggling on the edge of the discipline. Based on the analysis of the relationship between popular literature and folk literature, elegant literature, this paper seeks the rationality of the existence of popular literature in the new situation, aiming to benefit the future development of the subject.

关 键 词：俗文学 民间文学 雅文学 交叉重合 边界模糊 

分 类 号：I207.7[文学—中国文学]