论奥哈拉诗歌中“自我”的多维建构  

On Multiple Construction of Self in Frank O'Hara's Poems

作　　者：王璇[1] WANG Xuan(Longyan University,Longyan,Fujian 364000,China)

机构地区：[1]龙岩学院,福建龙岩364000

出　　处：《龙岩学院学报》2018年第6期87-92,共6页Journal of Longyan University

基　　金：福建省社科规划青年博士项目(FJ2015C219);福建省教育厅项目(JAS160544);龙岩学院国家社科基金培育项目(LG2014019);龙岩学院博士科研启动项目(LB2014022)

摘　　要：《弗兰克·奥哈拉诗歌合集》中,对"自我"的建构是一个突出的主题,体现着纽约派代表诗人奥哈拉对自我和事物、他人关系以及自我价值的思索和探寻。奥哈拉反对自我挖掘,认为自我是表现事物的工具,与爱默生以降的美国实用主义精神一脉相承;在自我和他人的关系上,奥哈拉既参与互动,又充分保有独立,体现着先锋诗人的敏感自觉;而通过对"自我"的记录,奥哈拉参与并创造了历史,其独具特色的"单人主义"诗歌是自我意义的实现。In The Collected Poems of Frank O'Hara,the writing of "self" is conspicuous,which illuminates the poet's exploration of the relationship between self and the outer world,self and others as well as of his self-worth.O'Hara stands against self-indulgence and considers self as a tool to reflect the world,which is in accordance with the spirit of American pragmatism derived from Emerson.O'Hara interacts and meantime withholds his independence in his relationship with others,showing shrewd self-awareness of an avant-garde poet.By the documentation of self,O'Hara participates and creates history,and his unique "Personism" poetry is the realization of self-worth.

关 键 词：弗兰克·奥哈拉 《弗兰克·奥哈拉诗歌合集》 自我 单人主义 

分 类 号：I712.072[文学—其他各国文学]