侯方域与明末江南文化  

Hou Fangyu and Jiangnan Culture in the Late Ming Dynasty

作　　者：臧守刚[1] 汪晓静 陈玉红[1] ZANG Shou-gang;WANG Xiao-jing;CHEN Yu-hong(Humanities Department,Nantong Normal College,Rugao 226500,China)

机构地区：[1]南通师范高等专科学校人文系,江苏如皋226500

出　　处：《河南科技大学学报（社会科学版）》2019年第1期40-44,共5页Journal of Henan University of Science & Technology(Social science)

基　　金：2018年度江苏省高校哲学社会科学研究基金项目(2018SJA1994);江苏高校品牌专业建设工程一期项目(PPZY2015C249)

摘　　要：明朝末年,代表江南地主利益的东林党崛起,江南成为党争的重镇。江南士人结社风气盛行,形成了颇具规模的复社。复社诸多名士积极与社会底层的秦淮歌妓交往,使党争文化、结社文化与歌妓文化充分融合。他们的政治豪情、名士才情与佳人艳情相互交织点染,形成了独特的明末江南文化。作为东林后裔,侯方域兼有济世壮志与名士风度,又雅好声伎,其个性气质与明末江南文化非常契合。江南文化的熏陶使侯方域成长为明末文人的代表,他在江南的活动也为江南文化的发展作出一定的贡献。The rise of the Donglin Party ,which represents the interests of the landlords in Jiangnan,at the end of the Ming Dynasty,turned Jiangnan into a major town of party contest,meanwhile,a mass association named Fu She has formed because of the customs of association in Jiangnan.The geisha culture was integrated with the party and the association culture because many celebrities in Donglin and Fu She actively interacted with the Qinhuai geishas at the bottom of the society.The political ambition and literary talent of the scholars and their romantic love with the geisha were intertwined each other,thus forming a unique Jiangnan culture in the late Ming Dynasty.As a descendant of Donglin,Hou Fangyu has both the lofty aspirations and the reputation of celebrities.He also loves geisha.His personality and temperament coincide with the Jiangnan culture in the late Ming Dynasty.The influence of Jiangnan culture made Hou Fang a representative of the literati in the late Ming Dynasty.His activities in Jiangnan have also contributed to the development of Jiangnan culture.

关 键 词：侯方域 江南文化 党争文化 结社文化 

分 类 号：I207.6[文学—中国文学]