“京派”诗歌与早期新诗抒情主义的修正——以《水星》杂志中的作品为例  

"Jingpai" Poetry and the Early New Poetry "Lyricism" ——Taking the Works in Mercury Magazine as An Example

作　　者：王辰龙 WANG Chenlong(College of Literature,Guizhou Normal University,Guizhou 550025,China)

机构地区：[1]贵州师范大学文学院,贵州贵阳550025

出　　处：《武陵学刊》2019年第1期111-118,共8页Journal of Wuling

摘　　要：在1930年代,以卞之琳为代表的"京派"诗歌显示出主智的整体风格与对情感、思想的趋于内向和复杂的表现方式,对早期新诗中高扬诗人主观意志的抒情主义做出了修正,丰富了新诗现代性的内涵。研读"京派"文学重要刊物《水星》上的诗作,重返历史现场,不难发现"京派"诗歌修正早期新诗抒情主义倾向的具体路径:或以开放的诗学视野、复杂的修辞手段从事实上扩展文本容量,对新诗能够容纳的空间维度进行延展;或是通过选取典型形象的方式,将都市中现代人的体验与情绪抒发出来,并基于对总体性社会图景的呈现,使文本中出现一个具体可感的、有立体时空秩序的现代中国。The "lyricism" in the early new poems usually refers to the writer's reliance on emotions,inspiration and so-called personal talents,and even blind faith,which neglects the importance of language ability,rhetorical skills and formal norms.It is narrowly understood as something that is contrary to the complex philosophical,low-lying feelings,and bleak realm.With the progress of poetry history,the "Jingpai" poetry represented by Bian Zhilin formed the overall style of "main wisdom",and the way of presenting emotions and thoughts tends to be introverted,calm and complicated.In the 1930s,the first new poems were emotionally supreme.The "lyricism" has been revised to enrich the connotation of the modernity of the new poetry.This article takes the poems on the "Jingpai" literary important publication "Mercury" as an example,and returns to the historical scene.It can be seen that the "Jingpai" poetry has revised several "singularism" specific schemes:or with an open poetic view and complex rhetorical means ,it actually expands the capacity of the text,extends the spatial dimension that the new poetry can accommodate,or exudes the experience and emotions of the modern people in the city by selecting a typical image,but this burst is not introverted,closed,but based on the presentation of the overall social picture,a concrete and sensible modern Chinese with a three-dimensional space-time order emerges.

关 键 词：抒情主义 “京派”诗歌 《水星》 新诗现代性 

分 类 号：I206.6[文学—中国文学] I207.25