钟嗣成戏曲美学观谫论  

On Zhong Sicheng's Aesthetic View of Operas

作　　者：贾名党[1] 朱梦楠 JIA Mingdang;ZHU Mengnan(Chinese Department,Anhui Agricultural University,Hefei,Anhui,230036,China)

机构地区：[1]安徽农业大学中文系,安徽合肥230036

出　　处：《内江师范学院学报》2019年第1期26-30,共5页Journal of Neijiang Normal University

摘　　要：《录鬼簿》是一部记载元代戏曲作家生平事迹和作品目录的著作,其中亦蕴涵着钟嗣成丰富的戏曲美学思想。其中就审美主体戏曲作家言,他认为其应具备较高的文化水准、高尚的道德情操及一定的天性禀赋;指出作家不遇不平时更易写出精品;强调"世法通疏"及"和顺积中"等写作原则。就审美客体戏曲作品说,他从戏曲音乐、选材、结构及语言等层面提出了具体美学要求。此外,他还提出了"无斧凿痕""搜奇索怪"及"诙谐调侃"等审美标准。Records of Ghosts is a work which records the life stories and operas catalogues of the opera writers of Yuan Dynasty.The Zhong Sicheng’s rich aesthetic thoughts are involved in it.He thought the opera writers as the aesthetic subjects should have relatively high cultural level,noble moral sentiment and some natural gift.He stressed the writing principle of“guidance’and“harmony and smoothness”.In terms of opera works as the aesthetic objects,he proposed some specific aesthetic requirements from perspectives of dramatic music,topic selection,structure and language.In addition,he put forward his aesthetic standards of“traceless technique”,“sought for something strange”and“humor”.

关 键 词：钟嗣成 戏曲 美学思想 

分 类 号：I207.3[文学—中国文学]