丰子恺《护生画集》的生态美学价值  

On the Ecological Aesthetic Value of Feng Zikai's Painting Albums:Protection of Life

作　　者：李庆本[1] 孙辉 Li Qingben;Sun Hui(College of Art Education,Hangzhou Normal University,Hangzhou 311121,China)

机构地区：[1]杭州师范大学艺术教育研究院,浙江杭州311121

出　　处：《山东理工大学学报（社会科学版）》2019年第1期54-59,共6页Journal of Shandong University of Technology（Social Sciences Edition）

基　　金：教育部哲学社会科学研究重大课题攻关项目"中华文化的跨文化阐释与对外传播研究"(13JZD032)

摘　　要：丰子恺的《护生画集》,以艺术审美的方式关注人与自然的生态依存关系,通过绘画的构图、线条、色彩等艺术手段,并采用图文互释的方式来表达"戒杀护生""众生平等""万物一体""因缘而生"的生态意识,使观者在研玩欣赏的过程中产生一种保护自然生命的生态意识,因而具有重要的生态美学价值。这种生态美学价值虽然与生态伦理学的目标是一致的,都是实现人与自然生态的和谐相处,但在实现这一目标的手段和方式上,两者却有着极大的不同。《护生画集》非简单的"劝善图画",而是将生态意识审美化,通过具体形象的艺术手段,通过诉诸人的情感与感受的审美方式,达到保护生态环境的目的,这也是解决生态问题的根本方式。In his Painting Albums:Protection of Life,Feng Zikai draws people’s attention to the ecological interdependence between human beings and nature by way of artistic aesthetics.It expresses such ecological consciousness as“to protect beings and stop killing”“equality of all beings”“unity of all”and“living by fate”through the artistic means of composition,lines and colors of painting,and by means of mutual interpretation of pictures and texts,which may help arouse people’s desire to protect natural life in the process of studying and appreciating the paintings.All this shape the ecological aesthetics value of this Album.Although this ecological aesthetic value shares the same goal as ecological ethics,which is to achieve the harmonious coexistence of human beings and natural ecology,there are great differences in the means and ways to achieve this goal.Painting Albums:Protection of Life is not merely a series of pictures to persuade,instead,it conveys the ecological consciousness through aesthetic experience.It attains the aim to protect the ecological environment by means of specific images,which awake people’s emotions and feelings.This is also the fundamental way to solve ecological problems.

关 键 词：丰子恺 《护生画集》 生态美学 

分 类 号：J209.2[艺术—美术]