楚漆器艺术中的形象复合手法在现代女装设计中的应用研究  

Research on the Application of Image compound in Chu lacquer Art in Modern Women's clothing Design

作　　者：王诗佳 古怡 WANG Shi-jia;GU Yi(School of Fashion,Wuhan Textile University,Wuhan 430073 China)

机构地区：[1]武汉纺织大学服装学院,湖北武汉430073

出　　处：《服饰导刊》2019年第1期61-66,共6页Fashion Guide

基　　金：湖北省教育厅人文社会科学研究项目(10D046)

摘　　要：现代社会的高科技手段和信息技术虽然不断地发展,但在服装设计领域中尚缺少独具特色的民族风格和创新能力。楚漆器艺术作为传统楚文化研究中重要的物质载体,有着丰富的想象力和创造性,而楚漆器艺术中的形象复合法通过对客观物象创意性的分解变形、局部重组、异质复合等方式使得新的物象更为生动和谐,是一种由内容到形式的提升过程,而这种现代设计语义规律运用到服装创新设计中,不但能加强现代女装设计的民族性和艺术性,且对当代服装设计有很强的借鉴意义,能够有力地推动传统文化在当代的传承与创新。Although the high-tech means and information technology in modern society,are constantly developing,there is still a lack of unique national style and innovative ability in the field of clothing design.Chu lacquerware art,as an important material carrier in the study of traditional Chu culture,has rich imagination and creativity.Then,the image compounding method in Chu lacquerware art,makes the new image more vivid and harmonious,through the decomposition and deformation of the objective image,local reorganization and heterogeneous compounding,which is a process from content to the form.Thus,not only can this semantics of modern design strengthen the nationality and artistry of modern women's clothing design,but also they have a strong reference for contemporary clothing design,with effectively promoting the inheritanceand innovationof traditional culture in the contemporary western world.

关 键 词：形象复合 楚漆器 服装设计 

分 类 号：TS941.11[轻工技术与工程—服装设计与工程]